ALICE JONES, FLUTIST
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"Alice Jones, beast of a flute player... is a total gem: she comes to rehearsals with excellent knowledge and analyses of the works, and helps create beautiful interpretations of the music we present on our programs. She's literally down for just about anything as well—looking for a sound? I bet you she can make it on one of those flutes! She's a total team player, and we couldn't be happier to get to work with her... [H]ear her ROAR!" 
-Whitney George, composer and director of The Curiosity Cabinet

 

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Photo credit: Sarah Tew
Raised in Austin, TX, Alice Jones is a musician whose multi-faceted career welcomes new listeners into the world of music through performance, education, and community building. She is known for giving performances that are “lively” (New York Times), “superb” (Carole Farley, soprano), and “delicate and passionate with beautiful articulation and dynamics” (Eleanor Cory, composer). An avid symphonic, chamber, theater, and contemporary flutist, with performances ranging from the Brandenburg Concerti to New York City’s Look and Listen Festival, Alice was praised by Mario Davidovsky as “the flute player who could really play” and Fanfare Magazine called her 2017 album with Ensemble 365 “pretty music faultless... required listening.”

She has been a featured soloist and chamber musician at the Composers Now Festival, the Yale-China Music Exchange in China, the Norfolk Chamber Music Festival, Chamber Music Campania (Italy), and the New York-based collective The Curiosity Cabinet, whose interdisciplinary performances feature new music and the 20th century canon, combined with film, puppeteers, dance, narration, and acting. Her chamber music arrangements and compositions have been performed across the US and Italy by the Phoenix Orchestra (Boston), University of New Mexico horn studio, Lucera Vocal Institute (Italy), and various student ensembles.

Alice received the Brookshire award for musicological research and writing at SUNY Purchase (2006), the Associated Music Teachers League Award for instruction at CUNY Queens (2003), an Enhanced Chancellor’s Fellowship at the CUNY Graduate Center (2009-14), and the Graduate Research Award from the National Flute Association (2016). In 2018, she was named to the New York City Department of Cultural Affairs inaugural Leadership Accelerator cohort, a group of dynamic cultural leaders from traditionally underrepresented groups. She is a skilled fundraiser and strategic arts administrator, having led the Development Department at the Brooklyn Conservatory of Music for four years, and she curates Parlour Room Sessions, an audience engagement-driven chamber series now in its third season.
 
A passionate classroom and studio teacher who engages students of all ages in myriad educational settings, Alice’s research and pedagogical interests focus on the intersection between aesthetics and music cognition: the place where listener, performer, and composer meet. She is an Adjunct Assistant Professor of Music at CUNY Queensborough Community College, CUNY Borough of Manhattan Community College, and SUNY Purchase College. She also previously previously served on the music faculty at the Aaron Copland School of Music at CUNY Queens College. She teaches flute and community building in Juilliard’s Music Advancement Program, teaches flute and conducts the wind ensemble at UpBeat (an El Sistema program in the Bronx), maintains a private studio in New York.
 
Alice graduated from Yale University (BA), SUNY Purchase (MM, AD), and the CUNY Graduate Center (DMA). Her principal teachers include James DeVoll, Robert Dick, Juliana May, Tara Helen O’Connor, and Sergio Pallotelli. 

Alice lives in Brooklyn, NY. When she's not musicking, she’s likely walking her dog or making ice cream.

No longer "news," but still noteworthy

I've joined the faculty of the Music & Art department at CUNY Borough of Manhattan Community College AND the flute faculty of Juilliard's Music Advancement Program in Fall 2018 -- I'm thrilled to be working with so many new, talented, and inspiring students from so many walks of life.

I was a member of the inaugural CreateNYC Leadership Accelerator cohort for New York City cultural workers in June 2018.

I'm adding a new skill or job description to my palette: concert curator. My new chamber music series in 2017-18 at the Brooklyn Conservatory of Music,
 Parlour Room Sessions, features fantastic musicians, lively conversation, and audience Q&A.

I joined the faculty at SUNY Purchase in August 2016.

I won the National Flute Association's Graduate Research Competition and presented my dissertation research at the annual convention in San Diego in August 2016.

I joined the music faculty at CUNY Queensborough Community College  in January 2016.

I joined the administrative team at the 
Brooklyn Conservatory of Music in September 2015 in the development department

I was the student speaker at the CUNY Graduate Center's 51st Annual Commencement on May 27, 2015, in Avery Fisher Hall at Lincoln Center.  The text of my speech is available here.

Fiati Five received a generous grant from the Mu Phi Epsilon Foundation in 2015

Ensemble 365 was named a 2015 Queens New Music Festival proposal winner

I received the 2013 Associated Music Teachers League Award for my teaching at CUNY Queens College

Check out Mindy Kaufman's 2012 solo CD, French Flute Music -- liner notes by me!

Ensembles

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The Curiosity Cabinet
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Fiati Five
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conText
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Ensemble 365
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justmusic
© COPYRIGHT 2017. ALL RIGHTS RESERVED.
  • About
  • Repertoire
    • Commissions
    • Arrangements
  • Calendar
  • Media & Press
  • Links
  • Contact
  • Thoughts