"The flute player could really play."
-Mario Davidovsky
NewsI joined the flute faculty of the John J. Cali School of Music at Montclair State University in August 2022
My latest tinyefforts set is here -- #tinyefforts2022 It's a new companion set to #tinyefforts2020 and #tinyefforts2021 with the same basic goal: four new compositions, available for free download, to be performed however you like. I'll send money to support any musician who make a recording of any of these new works. The web store is open! Scores are available for perusal and purchase -- click here. In August 2020 I became the Assistant Dean of Community Engagement and Career Services at The Juilliard School. I'm honored to join the fantastic roster of artists at the Haynes flute company. |
Upcoming eventsOctober 18
Amanda Stante Russo and Kimberly Carballo premiere my new song cycle, The good we do at Mercer University October 21, 7:30pm Amanda Stante Russo and Kimberly Carballo premiere my new song cycle, The good we do at Suquehanna University October 29, 5:30pm Juilliard Faculty recital, Morse Recital Hall with Kamilla Arku, piano Michael Fiday: Nine Haiku, Adolphus Hailstork: Sonatina, Shirish Korde: Anusvara, Brian Raphael Nabors: Theme and Variations for Alto Flute, Belinda Reynolds: Share Here is the link for the live stream. November 18 Festival celebrating the legacy of Karol Rathaus with Grzegorz Mania and Monika Gardon-Preinl, piano Elebash Recital Hall, Manhattan Tadeusz Kassern: Sonatina, Joel Mandelbaum: Sonata November 21 Festival celebrating the legacy of Karol Rathaus with Grzegorz Mania and Monika Gardon-Preinl, piano Flushing Town Hall, Queens NY Tadeusz Kassern: Sonatina, Joel Mandelbaum: Sonata |
Recent recordings
Kelsey Bentley of the Knoxville Symphony Orchestra premiered my new horn solo, "Nowhere to hide" as part of the KSO1x1 project.
The Flute Center of New York presented my solo recital, which I called a Tiny Blue Room Concert for reasons that will become clear in the video on May 20. I'm performing works by Valerie Coleman, Ulysses Kay, Shirish Korde, Brian Raphael Nabors, Kimberly Osberg, and Toru Takemitsu, as well as my #tinyefforts2020 set.
Amity Trio premiered my new setting of Phillis Wheatley Peters' poem "On Imagination" and my new arrangement of "The Parting Glass" on December 17, 2020
In October 2020 I recorded two works by American Black composers that I had fallen in love with over the summer -- Ulysses Kay's Prelude (1943) and the first movement of Coleridge-Taylor Perkinson's Sonata a'la Baroque (1994). Enjoy!
In March 2020, I commissioned two pieces by Kimberly Osberg for my students as part of her Commissions from Quarantine series. Enjoy!
No. 24 "Adventurous and Spunky"
No. 24 "Adventurous and Spunky"
No. 25 "Change of Color"
Ghost Ensemble's debut LP, We Who Walk Again, with works by Sky Macklay, Ben Richter, Andrew C. Smith, and Pauline Oliveros has been released on Indexical Records!
Check out Brian Olewnick's review here.
Check out Brian Olewnick's review here.
Praise for Ensemble 365's CD Eastern Currents from Colin Clarke in Fanfare Magazine--
"The standard of performance throughout by all performers is pretty much faultless."
"The performance here [of Frangiz Ali-Zadeh's Three Watercolors] is fabulous, the aching loneliness of “Narcissus” for soprano and flute (itself implying a shakuhachi) balanced by the angular play of “The Boatman.”
"Mary Hubbell is a most expressive soprano, and Alice Jones the perfect partner (the two parts are very much equals). The deep flute resonance of the opening of the final movement, “Dream Song,” and the way Hubbell’s blanched tone morphs with the flute sound is a spectacular sonic feat that captures the fluidity of sound that lies at the heart of Lam’s music."
"A phenomenally interesting release... required listening."
The CD is available on Amazon and iTunes and Spotify.
"The standard of performance throughout by all performers is pretty much faultless."
"The performance here [of Frangiz Ali-Zadeh's Three Watercolors] is fabulous, the aching loneliness of “Narcissus” for soprano and flute (itself implying a shakuhachi) balanced by the angular play of “The Boatman.”
"Mary Hubbell is a most expressive soprano, and Alice Jones the perfect partner (the two parts are very much equals). The deep flute resonance of the opening of the final movement, “Dream Song,” and the way Hubbell’s blanched tone morphs with the flute sound is a spectacular sonic feat that captures the fluidity of sound that lies at the heart of Lam’s music."
"A phenomenally interesting release... required listening."
The CD is available on Amazon and iTunes and Spotify.